Guest Post

Detangling power, money and privilege: finding your path as a playwright

In this guest post, writer Naomi Westerman discusses problems with privilege within the theatre industry and how becoming a playwright isn’t a simple as picking up a pen.   The first time I stepped foot in the Royal Court Theatre was five years ago. That was the same year I met Simon Stephens, which was the first time …

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A writer’s guide to producing your own work

In this guest post, Joanne Fitzgerald discusses the steps she took to produce her own script, and the lessons she learnt along the way. In September 2017, the long list for the Bruntwood prize was released, and I remember the feeling of disbelief when I spotted my play Her Not Him. I double-checked. I triple-checked. But there it …

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A writer’s guide to making the most out of VAULT Festival

In this guest post, playwright Naomi Westerman spills the beans on her top tips for writers who want to make the most out of their VAULT Festival experience… Last year was my VAULT Festival debut, with two shows (the one-woman kidnap drama CLAUSTROPHILIA, and the feminist queer sex comedy PUPPY). This year I’m returning to …

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Five Top Tips For Co-Writing A Play

With playwriting being seen as a solitary activity, what changes when you form a writing partnership? In this guest post, playwright Tamara von Werthern discusses all she learnt about co-writing for her new play JACKPOT. It’s not always easy to write plays, is it? You need to come up with an interesting story, invent characters, write scenes, keep …

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The show must go on: How to deal with setbacks

Taking her show ‘The White Bike’ to stage proved a difficult task for playwright Tamara von Werthern after it was rejected for ACE funding. In this guest post she discusses the challenges she faced and how still dealt with them, ensuring the show would go on! I got the email from the Arts Council (ACE) and my …

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When (and when not) to hear your work read aloud

As part of the launch of our new membership scheme, we’re celebrating writers that LPW has worked with in the course of the past year. In the final blog from our Dark Horse Festival writers, John Murray shares his thoughts on the importance – and difficulty – of hearing your work read aloud. It’s important to …

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Are you researching, or just procrastinating?

As part of the launch of our new membership scheme, we’re celebrating writers that LPW has worked with in the course of the past year. In the last post from our talented gaggle of Dark Horse Festival writers, Sophia Chapadjiev takes a long hard look at herself in the mirror and asks: is all that time spent …

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Procreative: How to be a playwright AND a new parent

As part of the launch of our new membership scheme, we’re celebrating writers that LPW has worked with in the course of the past year. In the next of our blogs by our playwrights from the Dark Horse Festival, Sonali Bhattacharyya gives advice for playwrights balancing writing with parenting. — So, you’re a woman, you’re a playwright, …

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